'Khon' Exhibition Provides an Interesting Peek 'Behind The Mask'
Kinnareemas
Scenery stemming from a performance of Khon Prommas ('Prommas Masked Drama'), an episode taken from the ancient Sanskrit epic The Ramayana, are currently on display at the Bangkok Art and Culture Center (BACC) through October 11.
The exhibition showcases the artistic preparations and techniques used in staging this particular khon drama, which was performed in 2007 and then again in June 2009 as part of year-long celebrations of His Majesty King Bhumibol Adulyadej’s 80th birthday anniversary.
Included among the exhibits are reproduction costumes, settings, and props used in khon performances, which have been carefully maintained for three years by specialist artisans.
The project to revitalize the production components was initiated by Her Majesty Queen Sirikit as part of an effort to preserve the various forms of craftsmanship related to traditional forms of performing arts, including khon itself, which represents an elaborate display of Thai culture, featuring a blend of various traditional arts and crafts techniques.
The exhibition is aimed at allowing the general public to learn more about the production of a khon drama, raising awareness, and generating a greater sense of pride in this important form of cultural heritage.
Costumes and ornaments
Khon costumes feature elaborate designs and colors, while following traditional patterns. The colors of various items of clothing relate to the character of the performer wearing them, while costumes are elaborately embroidered with semi-precious materials, such as lustrous metallic threads, silk, beetle wings and glass beads.
The jewelry and ornaments worn by the main characters vary in both form and design, ranging from anklets, belts, bracelets, pendants and sashes, made from silver, gold, as well as gemstones crafted using traditional techniques.
Khon masks
Khon masks are an exquisite form of Thai art, which often represent aspects of crowns, headdresses and other elements of Royal costume, but in ways that are subtly symbolic and representative. These are produced by using papier mache and are then decorated in accordance with the particular character.
The origins of the khon mask date back to the early Ayutthaya period (14-15th centuries). During early performances, which were then more closely related to Hindu beliefs, performers wore masks to depict their characters, typically either some form of demon or god. The masks were an important symbolic aspect and were soon incorporated into the actual performance.
Settings and props
A khon episode includes throne halls occupied by various gods and demons. All the props are cast in an elaborate style, featuring a real sense of grandeur. Liquid gold is used to decorate many of the props, including betel nut trays, bowls, and large set of tiered umbrellas, which have been delicately crafted.
Backstage
The presentation includes a large collection of photos featuring performers preparing backstage, revealing a range of emotions, beliefs, and superstitions as they get dressed up, warm up, apply makeup, pay respect to their masters, or simply await their alloted time to take to the stage.
Exhibits include both Thai and English labels, while there is also a video presentation showcasing some of the stories behind the production. Areas have been prepared for the various craftspeople to demonstrate their individual mask making or motif drafting techniques.
The exhibition is located on the eighth floor of the BACC and admission is free. The center opens Tuesday through Sunday from 10 am until 9 pm and is closed on Sundays. For further information, visit the BACC website at http://www.bac.or.th.
Transport connections:
Train: The quickest way of reaching the BACC is to take the BTS skytrain to National Stadium. You will signs for the center at the station on disembarking.
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